There are two aspects of things-the outward and the inward. The outward has to meaning except in so far as it helps the inward. All true Art is thus an expression of the soul. The outward forms have value only in so far as they are the expression of the inner spirit of man.
I know that many call themselves artists, and are recognized as such, and yet in their works there is absolutely no trace of the soul's upward urge and unrest.
All true Art must help the soul to realize its inner self. In my own case, I find that I can do entirely without external forms in my soul's realization. I can claim, therefore, that there is truly efficient Art in my life, though you might not see what you call works of Art about me.
My room may have blank walls; and I may even dispense with the roof, so that I may gaze out at the starry heavens overhead that stretch in an unending expanse. What conscious Art of man can give me the panoramic scenes that open out before me, when I look up to the sky above with all its shining stars?
This, however, does not mean that I refuse to accept the value of productions of Art, generally accepted as such, but only that I personally feel how inadequate these are compared with the eternal symbols of beauty in Nature. These productions of man's Art have their value only in so far as they help the soul onward towards self-realization.
Truth is the first thing to be sought for, and Beauty and Goodness will then be added unto you. Jesus was, to my mind, a supreme artist because he saw and expressed Truth; and so was Muhammad, the Koran being, the most perfect composition in all Arabic literature--at any rate, that is what scholars say. It is because both of them strove first for Truth that the grace of expression naturally came in and yet neither Jesus not Muhammad wrote on Art. That is the Truth and Beauty I crave for, live for, and would die for.
Here too, just as elsewhere, I must think in terms of the millions. And to the millions we cannot give that training to acquire a perception of Beauty in such a way as to see Truth in it. Show them Truth first and they will see Beauty afterwards… Whatever can be useful to those starving millions in beautiful to my mind. Let us give today first the vital things of life and all the graces and ornaments of life will follow.
I want art and literature that can speak to the millions.
After all, Art can only be expressed not through inanimate power-driven machinery designed for mass-production, but only through the delicate living touch of the hands of men and women.
True art takes note not merely of form but also of what lies behind. There is an art that kills and an art that gives life… True art must be evidence of happiness, contentment and purity of its authors.
I love music and all the other arts, but I do not attach such value to them as is generally done. I cannot, for example, recognize the value of those activities that require technical knowledge for their understanding.
Life is greater than all art. I would go even further and declare that the man whose life comes nearest to perfection is the greatest artist; for what is art without the sure foundation and framework of a noble life?
We have somehow accustomed ourselves to the belief that art is independent of the purity of private life. I can say with all the experience at my command that nothing could be more untrue. As I am nearing the end of my earthly life, I can say that purity of life, is the highest and truest art. The art of producing good music from a cultivated voice can be achieved by many, but the art of producing that music from the harmony of a pure life is achieved very rarely.
I see and find Beauty in Truth or through Truth. All Truths, not merely true ideas, but truthful faces, truthful pictures or songs are highly beautiful. People generally fail to see Beauty in Truth, the ordinary man runs away from it and becomes blind to the beauty in it. Whenever men begin to see Beauty in Truth, then true Art will arise.
To a true artist only that face is beautiful which, quite apart from its exterior, shines with the Truth within the soul. There is no Beauty apart from Truth. On the other hand, Truth may manifest itself in forms, which may not be outwardly beautiful at all. Socrates, we are told, was the most truthful man of his time, and yet his features are said to have been the ugliest in Greece. To my mind he was beautiful, because all his life was a striving after Truth, and you may remember that his outward form did not prevent Phidias from appreciating the beauty of Truth in him, though as an artist he was accustomed to see Beauty in outward forms also.
Truth and Untruth often co-exist; good and evil are often found together. In an artist also not seldom [do] the right perception of things and the wrong co-exist. Truly beautiful creations come when right perception is at work. If these monuments are rare in life, they are also rare in Art.
These beauties are sunset or a crescent moon that shines amid the stars at night'] are truthful, inasmuch as they make me think of the Creator at the back of them. How else could these be beautiful, but for the Truth that is in the center of creation? When I admire the wonder of a sunset or the beauty of the moon, my soul expands in worship of the Creator. I try to see Him and His mercies in all these creations. But even the sunsets and sunrises would be mere hindrances if they did not help me to think of the soul is a delusion and a snare; even like the body, which often does hinder you in the path of salvation.
Why can't you see the beauty of colour in vegetables? And then, there is beauty in the speckless sky. But no, you want the colours of the rainbow, which is a mere optical illusion. We have been taught to believe that what is beautiful need not be useful and what is useful cannot be beautiful. I want to show that what is useful can also be beautiful.